Uncalled, unrobed, unanointed… Baby Suggs, holy, followed by every black man, woman and child who could make it through, took her great heart to the Clearing…
After situating herself on a huge flat-sided rock, Baby Suggs bowed her head and prayed silently. The company watched her from the trees. They knew she was ready when she put her stick down. Then she shouted, “Let the children come!” and they ran from the trees toward her.
“Let your mothers hear you laugh,” she told them, and the woods rang. The adults looked on and could not help smiling.
Then “Let the grown men come,” she shouted. They stepped out one by one from among the ringing trees.
“Let your wives and your children see you dance,” she told them, and ground life shuddered under their feet.
Finally she called the women to her. “Cry,” she told them. “For the living and the dead. Just cry.” And without covering their eyes the women let loose.
It started that way: laughing children, dancing men, crying women and then it got mixed up. Women stopped crying and danced; men sat down and cried; children danced, women laughed, children cried until, exhausted and riven, all and each lay about the Clearing damp and gasping for breath. In the silence that followed, Baby Suggs, holy, offering up to them her great big heart.
She did not tell them to clean up their lives or to go and sin no more. She did not tell them they were the blessed of the earth, its inheriting meek or its glorybound pure.
She told them that the only grace they could have was the grace they could imagine. That if they could not see it, they would not have it.
“Here,” she said, “in this here place, we flesh; flesh that weeps, laughs; flesh that dances on bare feet in grass. Love it. Love it hard. Yonder they do not love your flesh. They despise it… It is flesh I’m talking about here. Flesh that needs to be loved. Feet that need to rest and dance; backs that need support; shoulders that need arms; strong arms I’m telling you. And O my people, out yonder, hear me, they do not love your neck unnoosed and straight. So love your neck; put a hand on it, stroke it and hold it up… The beat and beating heart, love that too… Love your heart…
Saying no more, she stood up then and danced with her twisted hip the rest of what her heart had to say while the others opened their mouths and gave her music. Long notes held until the four-part harmony was perfect enough for their deeply loved flesh.
Toni Morrison, Beloved
in Imaging the Word